Carol Allison-Huntress

Her Artistic Journey

Carol's artistic journey began as a young child when her exceptionally detailed drawings were recognized. At fifteen, she began her seven years of formal training at the Siegfried Hahn–Howard Wexler School of Drawing and Painting, immersing herself in the classical European traditions that would define her life's work. She studied 18th century English watercolor techniques, oil painting techniques of the Old Masters using methodology researched by expert Jacques Maroger, and practiced the disciplined drawing principles of Lecoq de Boisbaudran. These foundations shaped her distinctive style of painting with a devotion to form that echoed Italian and Flemish influences. Carol's dedication to learning carried her across the world where she studied master works in museums from New York City to Washington, DC, Brussels, Paris, Amsterdam and London.

Cultural Stewardship

In Albuquerque, Carol became a quiet but powerful cultural steward. She helped bring Jacques Maroger's work to the Southwest by replicating his medium for many artists, organizing the first exhibition of his work and facilitating the acquisition of an original Maroger painting for the Albuquerque Museum. Carol was interviewed by historians at the Smithsonian who were interested in learning about Maroger methodology and materials. She was instrumental in keeping his legacy alive.

Teacher & Mentor

Carol's passion for art extended naturally into teaching. She shared her knowledge at her own Pinacotheque Gallery and Art Academy, the New Mexico Art League, Albuquerque Technical Vocational Institute, and for many years her studio, Art Masters Academy. She nurtured emerging artists with patience and precision. Carol's talent in teaching the Lecoq method of drawing instruction earned her recognition in articles in American Artist Magazine, Drawing (2004) and The Best of Drawing, The Most Comprehensive Collection of Drawing Instruction (2009). In addition to teaching workshops in Albuquerque, she taught workshops in Morocco for the cultural exchange, DAR America. Many of her students credit her with opening the door to their own artistic voice.

Recognition

Never seeking the spotlight, Carol took in the stir and interest her paintings drew at the Commonwealth Fine Art Gallery on Newbury Street in Boston, and a solo exhibition at Cyrus Dallin Museum in Arlington, but shied away from the attention — even from an admirer who approached her in the grocery store. Carol's paintings were also admired at Harvard University in Cambridge, Massachusetts, where her work was chosen to be displayed at the Harvard Club.

Her Greatest Joy

Of everything in her life, Carol found the most joy in caring for her daughter, Ariel. She was proud of her as she watched her grow into the intelligent, beautiful young woman she is today. Together, they and Carol's husband Erny brought love and laughter into every room.

She Is Survived By

Carol leaves behind her husband, Erny Huntress; daughter, Ariel Huntress; sisters, Betsy Allison Nazare and Sharna Travers-Smith; and nieces, Rachel Nazare, Alyssa and Serena Travers-Smith — plus a wide circle of friends, fellow artists, students, and admirers who will hold her spirit close. Her legacy endures in every brushstroke she left behind — works that will continue to inspire and lift the hearts of those who encounter them.

The family wishes to thank the doctors, nurses, and other support staff at the Neuro ICU unit at UNM Hospital and other healthcare professionals that cared for Carol this past year. Special thanks to Carol's sister-in-law, Susan Nunley, best friend, Paula Dehaas, and Toni, Dave, Don and Teri for their support during this difficult time.

Celebration of Life

A celebration of Carol's life will be held at a later date.

In Lieu of Flowers

The family welcomes donations to:

Published by Albuquerque Journal, May 23–25, 2026.